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<title>Angie - Painshooting (Master Costello)	</title>
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<title>[BDSM] Master Costello - No Way Out	</title>
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<title>Master.Costello.Schutzlos.German.2008.XXX.DVDRiP.XviD-WDE	</title>
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<category>XXX</category>
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<title>Master.Costello.Schutzlos.German.2008.XXX.DVDRiP.XviD-WDE	</title>
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<description>RELEASE.DATE .................... 2008-09-12
               RETAIL.DATE ..................... 2008-08-24
               SOURCE .......................... DVD!
             FORMAT/ARCHiVES ................. XviD/1x80min
             RUNTiME ......................... 90min
             ViDEO.BiTRATE ................... 1017 kb/s
               AUDiO.BiTRATE ................... 128 kb/s
             RESOLUTION ...................... 608x336 [16:9]
             LANGUAGE ........................ GERMAN
     COMPANY ......................... Master Costello		</description>
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<title>Elvis Costello - The Best of the First Ten Years - (Re-mastered)</title>
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<description>Another great album.   Check out Almost Blue.   What a great song.  		</description>
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<title>Elvis Costello &amp; The Attractions - Imperial Bedroom [Remastered Bonus Tracks]</title>
<pubDate>Wed, 26 Mar 2008 11:34:33</pubDate>	
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<description>&lt;br /&gt;
More great music reviews &amp; torrents at www.btbeat.com&lt;br /&gt;
&lt;br /&gt;
-------------------------------&lt;br /&gt;
&lt;br /&gt;
Having gotten country out of his system with Almost Blue, Elvis Costello returned to pop music with Imperial Bedroom &amp;mdash; and it was pop in the classic, Tin Pan Alley sense. Costello chose to hire Geoff Emerick, who engineered all of the Beatles' most ambitious records, to produce Imperial Bedroom, which indicates what it sounds like &amp;mdash; it's traditional pop with a post-Sgt. Pepper production. Essentially, the songs on Imperial Bedroom are an extension of Costello's jazz and pop infatuations on Trust. Costello's music is complex and intricate, yet it flows so smoothly, it's easy to miss the bitter, brutal lyrics. The interweaving layers of &quot;Beyond Belief&quot; and the whirlwind intro are the most overtly dark sounds on the record, with most of the album given over to the orchestrated, melancholy torch songs and pop singles. Never once do Costello &amp; the Attractions deliver a rock &amp; roll song &amp;mdash; the album is all about sonic detail, from the accordion on &quot;The Long Honeymoon&quot; to the lilting strings on &quot;Town Cryer.&quot; Of course, the detail and the ornate arrangements immediately peg Imperial Bedroom as Costello's most ambitious album, but that doesn't mean it's his absolute masterpiece. Imperial Bedroom remains one of Costello's essential records because it is the culmination of his ambitions and desires &amp;mdash; it's where he proves that he can play with the big boys, both as a songwriter and a record-maker. It may not have been a commercial blockbuster, but it certainly earned the respect of legions of musicians and critics who would have previously disdained such a punk rocker. And, perhaps, that's also the reason that he abandoned this immaculately crafted style of work on his next album, Punch the Clock. &lt;br /&gt;
&lt;br /&gt;
5 Stars&lt;br /&gt;
&lt;br /&gt;
- allmusic.com&lt;br /&gt;
&lt;br /&gt;
---------------------&lt;br /&gt;
&lt;br /&gt;
After years of furious parrying with his obsessions in a long ride that's taken him from arsenic tinged punk psychodramas to gin-mill country &amp; western weepers, Elvis Costello has made his masterpiece. Imperial Bedroom doesn't make its point by hurling bolt after bolt of hard-rock epiphany; rather, its intensity is cumulative, the depth of feeling evident in the hard-won wisdom of Costello's lyrics and his extraordinary attention to musical detail.&lt;br /&gt;
&lt;br /&gt;
He begins with an axiom &amp;ndash; &quot;History repeats the old conceits/The glib replies, the same defeats&quot;&amp;ndash;sung from the inside. Having cast this deterministic nod to the unchanging order of human affairs, Elvis Costello ambitiously sets out to bring new wisdom to old rituals. Casting fresh light in hidden places, he throws open the double doors to the imperial bedroom, that private arena wherein romance burns hot, and then burns out. Costello plays the canny spy in the house of love, sifting through smoldering embers for clues; twisting clichés and commonplaces, and finding truth in their ironic reconstruction; making his passion felt with the most varied and committed music he's ever played in his life.&lt;br /&gt;
&lt;br /&gt;
When Elvis Costello hit these shores in 1977 for a club tour that coincided with the stateside release of My Aim Is True, he was already more into the razor-edged material of his then-unrecorded second album, This Year's Model. I have an indelible image of him sweating clean through a rust-colored suit by the third or fourth song; his palpable anger ignited the audience, but there was a distance there that wouldn't allow him to connect&amp;ndash;that is, share a conspiratorial sputter &amp;ndash; with his zealous following. His guard was up, and his rage precluded communality. But even the bitterest alienation seeks eventual relief, and Costello, after writing countless volumes on the subject (twenty songs on a single album &amp;ndash; twice?), gradually got happier. With Trust, the faint trace of a smile crossed his face, and on Almost Blue, he paid loving tribute to country music. With Imperial Bedroom, he's opened the door to his heart even wider. On &quot;Town Cryer,&quot; this LP's closing number, Costello sings: &quot;Maybe you don't believe my heart is in the right place/Why don't you take a good look at my face.&quot; He could well be offering a rebuttal to those who've consistently and wrongly judged him to be only venal, spiteful and vindictive.&lt;br /&gt;
&lt;br /&gt;
While there is nothing overtly &quot;country&quot; in the sound of Imperial Bedroom, it evokes a pair of C&amp;W classics &amp;ndash; Willie Nelson's Red Headed Stranger and George Jones' The Battle &amp;ndash; in its thematic concerns. Imperial Bedroom's fifteen songs paint a sometimes droll, ofttimes grim picture of love eroded by the inevitable procession of time and temptation. Even a marriage vow isn't sufficient glue to hold two people together. Like his C&amp;W mentors, Costello has become an expert storyteller; he now knows that the accusing finger can often be pointed in both directions, and this has given him a newfound generosity of viewpoint. Witness &quot;The Long Honeymoon,&quot; in which he describes the sorrow of a woman who knows only too well what's keeping her husband out after dark:&lt;br /&gt;
&lt;br /&gt;
Little things just seem to undermine her confidence in him&lt;br /&gt;
&lt;br /&gt;
He was late this time last week&lt;br /&gt;
&lt;br /&gt;
Who can she turn to when the chance of coincidence is slim?&lt;br /&gt;
&lt;br /&gt;
'Cause the baby isn't old enough to speak&lt;br /&gt;
&lt;br /&gt;
The lesson of &quot;The Long Honeymoon,&quot; almost a throwaway line, is that &quot;There's no money-back guarantee on future happiness.&quot; With the deck so hopelessly stacked, the only reasonable emotions would seem to be pessimism or rage&amp;ndash;and, indeed, Costello has generally embraced the latter. This time, though, there are glimmers of vulnerability, unexpectedly candid admissions of yearning and need, as when the lonesome protagonist of &quot;Human Hands&quot; &amp;ndash; stuck at home with only his TV set and shadows on the wall for company&amp;ndash;blurts out, &quot;All I ever want is just to fall into your human hands.&quot;&lt;br /&gt;
&lt;br /&gt;
Imperial Bedroom is not all doleful lamentations, however&amp;ndash;not by a long shot. Though its narrative preoccupation with scenes of domestic blistering recalls the oeuvre of Jones and Nelson, it's got a potent, articulate musical kick that summons the heady spirit of such seminal Sixties rock masterworks as the Who's Tommy, the Pretty Things' S.F. Sorrow and, yes, the Beatles' Sgt. Pepper. Like those records, Imperial Bedroom achieves depth and resonance by presenting a stylistically varied musical program rich in ingenious arrangements and strong melodies. Thus, the glib barroom singalong of &quot;Tears before Bedtime&quot; is juxtaposed with the sobering judgments of &quot;Shabby Doll,&quot; whose jazzy, staccato piano chords and wandering bass give the song a disembodied air. Four songs on side one are linked by a frantic segue&amp;ndash;amphetamine guitar and wordless screaming from Costello that sounds like the howl of the id, the rage beyond words that lurks in the upstairs of the psyche, counterpointing the deliberate, rational voice of those numbers it interrupts. And the eight songs on side two brim with an effusive vigor that takes some of the sting out of Costello's more rancorous lyrics.&lt;br /&gt;
&lt;br /&gt;
Due credit must go to Steve Nieve, who orchestrated many of the songs and whose keyboards predominantly color in the sour d. Mention should be made also of Geoff Emerick, whose full-bodied, wide-screen production gives Costello ample room to sow his plangent visions. The paramount instrument, though, is Costello himself: he makes his voice over into a hundred voices, from reverberating chest tones to plaintive wailing at the top of his range. He cajoles, pleads, remands; turns passionate, then contrite; whispers a confidence, rails at betrayal. In one of the album's most telling moments, he drops the mask of insolence and revenge to confide, &quot;So what if this is a man's world I wanna be a kid again about it.&quot;&lt;br /&gt;
&lt;br /&gt;
Elvis Costello's Imperial Bedroom is really a mansion, each of whose rooms is decorated with painstaking care and detail by the artist. In every aspect of this masterfully wrought, conceptually audacious project, he's managed to bulwark his emotional directness with vision and clarity &amp;ndash; and to make an album that lingers and haunts long after the last note has died out. Like a long, episodic novel&amp;ndash;or a long, episodic relationship&amp;ndash;you can look back when it's over and measure how far you've traveled. &lt;br /&gt;
&lt;br /&gt;
4 Stars&lt;br /&gt;
&lt;br /&gt;
- rollingstone.com&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Artist: Elvis Costello&lt;br /&gt;
Album: Imperial Bedroom&lt;br /&gt;
Date Of Release: 1982, Remastered 2002&lt;br /&gt;
Genre: Rock&lt;br /&gt;
Bitrate: VBR --alt-preset extreme&lt;br /&gt;
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<title>Elvis Costello - This Years Model (Deluxe Edition) [2CDs][Alternative][Remastered-2008][www.pctrecor</title>
<pubDate>Sun, 09 Mar 2008 21:20:42</pubDate>	
<category>Music</category>
<completed>3270</completed>
<description>CD1                                                              &lt;br /&gt;
                                                                      &lt;br /&gt;
01.  No Action                                            02:03       &lt;br /&gt;
02.  This Years Girl                                      03:23       &lt;br /&gt;
03.  The Beat                                             03:51       &lt;br /&gt;
04.  Pump It Up                                           03:19       &lt;br /&gt;
05.  Little Triggers                                      02:45       &lt;br /&gt;
06.  You Belong To Me                                     02:25       &lt;br /&gt;
07.  Hand In Hand                                         02:38       &lt;br /&gt;
08.  (I Dont Want To Go To) Chelsea                       03:13       &lt;br /&gt;
09.  Lip Service                                          02:41       &lt;br /&gt;
10.  Living In Paradise                                   03:51       &lt;br /&gt;
11.  Lipstick Vogue                                       03:38       &lt;br /&gt;
12.  Night Rally                                          02:47       &lt;br /&gt;
13.  Radio Radio                                          03:09       &lt;br /&gt;
14.  Big Tears                                            03:13       &lt;br /&gt;
15.  Crawling To The Usa                                  02:56       &lt;br /&gt;
16.  Tiny Steps                                           02:46       &lt;br /&gt;
17.  Running Out Of Angels (Demo Version)                 02:06       &lt;br /&gt;
18.  Greenshirt (Demo Version)                            02:22       &lt;br /&gt;
19.  Big Boys (Demo Version)                              03:03       &lt;br /&gt;
20.  Neat Neat Neat (Live)                                03:19       &lt;br /&gt;
21.  Roadette Song (Live)                                 05:40       &lt;br /&gt;
22.  This Years Girl (Alternate Version)                  02:10       &lt;br /&gt;
23.  (I Dont Want To Go To) Chelsea (Alternate Version)   03:00       &lt;br /&gt;
                                                                      &lt;br /&gt;
     CD2                                                              &lt;br /&gt;
                                                                      &lt;br /&gt;
01.  Pump It Up                                           03:33       &lt;br /&gt;
02.  Waiting For The End Of The World                     04:04       &lt;br /&gt;
03.  No Action                                            02:30       &lt;br /&gt;
04.  Less Than Zero                                       04:30       &lt;br /&gt;
05.  The Beat                                             03:45       &lt;br /&gt;
06.  (The Angels Wanna Wear My) Red Shoes                 02:37       &lt;br /&gt;
07.  (I Dont Want To Go To) Chelsea                       04:00       &lt;br /&gt;
08.  Hand In Hand                                         02:55       &lt;br /&gt;
09.  Little Triggers                                      03:10       &lt;br /&gt;
10.  Radio Radio                                          02:39       &lt;br /&gt;
11.  You Belong To Me                                     02:56       &lt;br /&gt;
12.  Lipstick Vogue                                       05:04       &lt;br /&gt;
13.  Watching The Detectives                              06:04       &lt;br /&gt;
14.  Mystery Dance                                        03:59       &lt;br /&gt;
15.  Miracle Man                                          04:28       &lt;br /&gt;
16.  Blame It On Cain                                     04:07       &lt;br /&gt;
17.  Chemistry Class                                      02:45  </description>
<link>http://torrents.sumotorrent.com/details/938680/Elvis Costello - This Years Model (Deluxe Edition) [2CDs][Alternative][Remastered-2008][www.pctrecor.html</link>
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<title>Best of Master Costello.FFF</title>
<pubDate>Sat, 16 Feb 2008 06:27:23</pubDate>	
<category>Videos</category>
<completed>0</completed>
<description>Awsome vids from fat fuck frank</description>
<link>http://torrents.sumotorrent.com/details/879119/Best of Master Costello.FFF.html</link>
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<title>[APE-EAC-CUE]Elvis Costello and the Attractions - Armed Forces (1979) (Rhino Remastered and Reissued</title>
<pubDate>Wed, 09 Jan 2008 10:21:22</pubDate>	
<category>Music</category>
<completed>981</completed>
<description>Armed Forces (1979) was Elvis Costello's third album, his second with the Attractions, and the first to officially credit the Attractions on the cover. The album originally had the working title Emotional Fascism. It was produced by Nick Lowe at Eden Studios in West London.&lt;br /&gt;
&lt;br /&gt;
Initial pressings of the album in the UK &amp; US included a promotional three-song 7&quot; 33? rpm EP, Live at Hollywood High, recorded on June 4, 1978. The live tracks, also produced by Nick Lowe, are &quot;Accidents Will Happen,&quot; &quot;Alison,&quot; and &quot;Watching the Detectives,&quot; which are included on the Rykodisc reissue and on the Rhino bonus disk along with six more songs from the Hollywood High gig. The UK edition also included 4 postcards featuring pictures of the band.&lt;br /&gt;
&lt;br /&gt;
In 2000 Q magazine placed Armed Forces at number 45 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 482 on Rolling Stone magazine's list of the 500 greatest albums of all time.&lt;br /&gt;
&lt;br /&gt;
TRACKLIST:&lt;br /&gt;
   Armed Forces:&lt;br /&gt;
01. Accidents Will Happen    [0:03:01.00]&lt;br /&gt;
02. Senior Service    [0:02:17.74]&lt;br /&gt;
03. Oliver's Army    [0:02:59.46]&lt;br /&gt;
04. Big Boys    [0:02:56.46]&lt;br /&gt;
05. Green Shirt    [0:02:43.26]&lt;br /&gt;
06. Party Girl    [0:03:24.20]&lt;br /&gt;
07. Goon Squad    [0:03:14.25]&lt;br /&gt;
08. Busy Bodies    [0:03:35.24]&lt;br /&gt;
09. Sunday's Best    [0:03:22.12]&lt;br /&gt;
10. Moods For Moderns    [0:02:50.13]&lt;br /&gt;
11. Chemistry Class    [0:02:56.65]&lt;br /&gt;
12. Two Little Hitlers    [0:03:16.42]&lt;br /&gt;
13. (What's So Funny 'Bout) Peace, Love &amp; Understanding?    [0:03:32.34]&lt;br /&gt;
	&lt;br /&gt;
Bonus Disc:&lt;br /&gt;
01. Tiny Steps    [0:02:43.34]&lt;br /&gt;
02. Busy Bodies (Alternate Version)    [0:03:48.51]&lt;br /&gt;
03. Talking In The Dark    [0:01:58.09]&lt;br /&gt;
04. Big Boys (Alternate Version)    [0:02:56.34]&lt;br /&gt;
05. Clean Money    [0:01:59.39]&lt;br /&gt;
06. Wednesday Week    [0:02:06.46]&lt;br /&gt;
07. My Funny Valentine    [0:01:33.59]&lt;br /&gt;
08. Accidents Will Happen (Live at Hollywood High)    [0:03:18.47]&lt;br /&gt;
09. Mystery Dance (Live at Hollywood High)    [0:02:01.41]&lt;br /&gt;
10. Goon Squad (Live at Hollywood High)    [0:03:42.31]&lt;br /&gt;
11. Party Girl (Live at Hollywood High)    [0:03:19.39]&lt;br /&gt;
12. Stranger In The House (Live at Hollywood High)    [0:03:52.34]&lt;br /&gt;
13. Alison (Live at Hollywood High)    [0:03:08.61]&lt;br /&gt;
14. Lipstick Vogue (Live at Hollywood High)    [0:04:26.03]&lt;br /&gt;
15. Watching The Detectives (Live at Hollywood High)    [0:05:51.69]&lt;br /&gt;
16. You Belong To Me (Live at Hollywood High)    [0:02:39.40]&lt;br /&gt;
17. Chemistry Class (Live Solo in live in Washington, 1978-02-28)    [0:02:34.07]&lt;br /&gt;
&lt;br /&gt;
LOG1:&lt;br /&gt;
EAC extraction logfile from 2. May 2006, 17:10 for CD&lt;br /&gt;
Elvis Costello and The Attractions / Armed Forces (Disc One)&lt;br /&gt;
&lt;br /&gt;
Used drive  : LG      DVD-ROM DRD8160B   Adapter: 0  ID: 1&lt;br /&gt;
Read mode   : Secure with NO C2, accurate stream, disable cache&lt;br /&gt;
Read offset correction : 594&lt;br /&gt;
Overread into Lead-In and Lead-Out : No&lt;br /&gt;
&lt;br /&gt;
Used output format : C:\Documents and Settings\Javier\Mis documentos\Programas varios en Zip o Rar\eac095pb4\Ape\MAC.exe   (Monkey's Audio Lossless Encoder)&lt;br /&gt;
                     High Lossless Compression&lt;br /&gt;
&lt;br /&gt;
Other options      : &lt;br /&gt;
    Fill up missing offset samples with silence : Yes&lt;br /&gt;
    Delete leading and trailing silent blocks : No&lt;br /&gt;
    Installed external ASPI interface&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Range status and errors&lt;br /&gt;
Selected range&lt;br /&gt;
     Filename G:\Elvis Costello - Armed Forces\CD1\CDImage.wav&lt;br /&gt;
&lt;br /&gt;
     Peak level 97.2 %&lt;br /&gt;
     Range quality 100.0 %&lt;br /&gt;
     CRC 9B4A8896&lt;br /&gt;
     Copy OK&lt;br /&gt;
&lt;br /&gt;
No errors occured&lt;br /&gt;
&lt;br /&gt;
End of status report&lt;br /&gt;
&lt;br /&gt;
LOG BONUS DISC:&lt;br /&gt;
EAC extraction logfile from 1. May 2006, 15:49 for CD&lt;br /&gt;
Elvis Costello / Armed Forces - Disc 2&lt;br /&gt;
&lt;br /&gt;
Used drive  : HL-DT-STDVDRAM GSA-4163B   Adapter: 1  ID: 0&lt;br /&gt;
Read mode   : Secure with NO C2, accurate stream, disable cache&lt;br /&gt;
Combined read/write offset correction : 667&lt;br /&gt;
Overread into Lead-In and Lead-Out : No&lt;br /&gt;
&lt;br /&gt;
Used output format : C:\Documents and Settings\Javier\Mis documentos\Programas varios en Zip o Rar\eac095pb4\Ape\MAC.exe   (Monkey's Audio Lossless Encoder)&lt;br /&gt;
                     High Lossless Compression&lt;br /&gt;
&lt;br /&gt;
Other options      : &lt;br /&gt;
    Fill up missing offset samples with silence : Yes&lt;br /&gt;
    Delete leading and trailing silent blocks : No&lt;br /&gt;
    Installed external ASPI interface&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Range status and errors&lt;br /&gt;
Selected range&lt;br /&gt;
     Filename G:\Elvis Costello - Armed Forces\CD Bonus\CDImage.wav&lt;br /&gt;
&lt;br /&gt;
     Peak level 97.9 %&lt;br /&gt;
     Range quality 100.0 %&lt;br /&gt;
     CRC 91407ABD&lt;br /&gt;
     Copy OK&lt;br /&gt;
&lt;br /&gt;
No errors occured&lt;br /&gt;
&lt;br /&gt;
End of status report&lt;br /&gt;
</description>
<link>http://torrents.sumotorrent.com/details/811454/[APE-EAC-CUE]Elvis Costello and the Attractions - Armed Forces (1979) (Rhino Remastered and Reissued.html</link>
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<title>[APE-EAC-CUE]Elvis Costello - This Year's Model (1978) (Rhino Remastered &amp; Reissued 2002)[colomb</title>
<pubDate>Tue, 08 Jan 2008 12:24:22</pubDate>	
<category>Music</category>
<completed>935</completed>
<description>This Year's Model (1978) was Elvis Costello's second album and his first with The Attractions. It was recorded mainly at Eden Studios in West London.&lt;br /&gt;
&lt;br /&gt;
It was voted the best album of the year in The Village Voice Pazz &amp; Jop critics poll [1]. In 2000, Q magazine placed This Year's Model at number 82 in its list of the 100 Greatest British Albums Ever. In 1987, Rolling Stone magazine ranked it number 11 on its list of the best albums of the period 1967-1987. In 2003, the album was ranked number 98 on Rolling Stone magazine's list of the 500 greatest albums of all time.. In his 1995 book, &quot;The Alternative Music Almanac&quot;, Alan Cross placed the album in the #7 spot on the list of '10 Classic Alternative Albums'.&lt;br /&gt;
&lt;br /&gt;
Early issues of the album have an apparently misprinted sleeve, which cuts the 'E' from 'Elvis' off the front cover and shows a printers' color bar along the right side (see cover right). This was a deliberate mistake (a favourite technique of cover designer Barney Bubbles), as was pressing &quot;Special pressing No. 003. Ring 434 32 32. Ask for Moira for your prize&quot; between the holding spirals on Side A.&lt;br /&gt;
TRACKLIST:&lt;br /&gt;
   My Aim Is True:&lt;br /&gt;
01. No Action    [0:02:01.03]&lt;br /&gt;
02. This Year's Girl    [0:03:22.65]&lt;br /&gt;
03. The Beat    [0:03:48.63]&lt;br /&gt;
04. Pump It Up    [0:03:17.74]&lt;br /&gt;
05. Little Triggers    [0:02:43.40]&lt;br /&gt;
06. You Belong To Me    [0:02:25.12]&lt;br /&gt;
07. Hand In Hand    [0:02:39.00]&lt;br /&gt;
08. (I Don't Want To Go To) Chelsea    [0:03:10.12]&lt;br /&gt;
09. Lip Service    [0:02:39.17]&lt;br /&gt;
10. Living In Paradise    [0:03:47.05]&lt;br /&gt;
11. Lipstick Vogue    [0:03:33.31]&lt;br /&gt;
12. Night Rally    [0:02:46.05]&lt;br /&gt;
13. Radio, Radio    [0:03:05.27]&lt;br /&gt;
	&lt;br /&gt;
Bonus Disc:&lt;br /&gt;
01. Big Tears    [0:03:12.30]&lt;br /&gt;
02. Crawling To The USA    [0:02:55.20]&lt;br /&gt;
03. Running Out Of Angels [demo]    [0:02:05.05]&lt;br /&gt;
04. Greenshirt [demo]    [0:02:22.19]&lt;br /&gt;
05. Big Boys [demo]    [0:03:00.71]&lt;br /&gt;
06. Your Belong To Me [Capital Radio version]    [0:01:55.70]&lt;br /&gt;
07. Radio, Radio [Capital Radio version]    [0:03:01.16]&lt;br /&gt;
08. Neat Neat Neat [live]    [0:03:16.32]&lt;br /&gt;
09. Roadette Song [live]    [0:05:40.02]&lt;br /&gt;
10. This Year's Girl [alternate Eden Studios version]    [0:02:09.70]&lt;br /&gt;
11. (I Don't Want To Go To) Chelsea [Basing Street Studios version]    [0:03:00.62]&lt;br /&gt;
12. Stranger In The House [BBC version]    [0:04:15.13]&lt;br /&gt;
&lt;br /&gt;
LOG1:&lt;br /&gt;
EAC extraction logfile from 12. June 2006, 10:41 for CD&lt;br /&gt;
Elvis Costello / This Year's Model&lt;br /&gt;
&lt;br /&gt;
Used drive  : HL-DT-STDVDRAM GSA-4163B   Adapter: 1  ID: 0&lt;br /&gt;
Read mode   : Secure with NO C2, accurate stream, disable cache&lt;br /&gt;
Combined read/write offset correction : 667&lt;br /&gt;
Overread into Lead-In and Lead-Out : No&lt;br /&gt;
&lt;br /&gt;
Used output format : C:\Documents and Settings\Javier\Mis documentos\Programas varios en Zip o Rar\eac095pb4\Ape\MAC.exe   (Monkey's Audio Lossless Encoder)&lt;br /&gt;
                     High Lossless Compression&lt;br /&gt;
&lt;br /&gt;
Other options      : &lt;br /&gt;
    Fill up missing offset samples with silence : Yes&lt;br /&gt;
    Delete leading and trailing silent blocks : No&lt;br /&gt;
    Installed external ASPI interface&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Range status and errors&lt;br /&gt;
Selected range&lt;br /&gt;
     Filename H:\Elvis Costello - This Year?s Model\CD1\CDImage.wav&lt;br /&gt;
&lt;br /&gt;
     Peak level 97.2 %&lt;br /&gt;
     Range quality 100.0 %&lt;br /&gt;
     CRC 8C3A3D76&lt;br /&gt;
     Copy OK&lt;br /&gt;
&lt;br /&gt;
No errors occured&lt;br /&gt;
&lt;br /&gt;
End of status report&lt;br /&gt;
&lt;br /&gt;
LOG BONUS DISC:&lt;br /&gt;
EAC extraction logfile from 12. June 2006, 11:18 for CD&lt;br /&gt;
Elvis Costello / This Year's Model [bonus disc]&lt;br /&gt;
&lt;br /&gt;
Used drive  : HL-DT-STDVDRAM GSA-4163B   Adapter: 1  ID: 0&lt;br /&gt;
Read mode   : Secure with NO C2, accurate stream, disable cache&lt;br /&gt;
Combined read/write offset correction : 667&lt;br /&gt;
Overread into Lead-In and Lead-Out : No&lt;br /&gt;
&lt;br /&gt;
Used output format : C:\Documents and Settings\Javier\Mis documentos\Programas varios en Zip o Rar\eac095pb4\Ape\MAC.exe   (Monkey's Audio Lossless Encoder)&lt;br /&gt;
                     High Lossless Compression&lt;br /&gt;
&lt;br /&gt;
Other options      : &lt;br /&gt;
    Fill up missing offset samples with silence : Yes&lt;br /&gt;
    Delete leading and trailing silent blocks : No&lt;br /&gt;
    Installed external ASPI interface&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Range status and errors&lt;br /&gt;
Selected range&lt;br /&gt;
     Filename H:\Elvis Costello - This Year?s Model\CD Bonus\CDImage.wav&lt;br /&gt;
&lt;br /&gt;
     Peak level 97.2 %&lt;br /&gt;
     Range quality 100.0 %&lt;br /&gt;
     CRC 1696C9E9&lt;br /&gt;
     Copy OK&lt;br /&gt;
&lt;br /&gt;
No errors occured&lt;br /&gt;
&lt;br /&gt;
End of status report</description>
<link>http://torrents.sumotorrent.com/details/810193/[APE-EAC-CUE]Elvis Costello - This Years Model (1978) (Rhino Remastered  Reissued 2002)[colomb.html</link>
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<title>[APE-EAC-CUE]Elvis Costello - My Aim Is True (1977) (Rhino Remastered &amp; Reissued 2001)[colombo-b</title>
<pubDate>Tue, 08 Jan 2008 09:22:38</pubDate>	
<category>Music</category>
<completed>1080</completed>
<description>My Aim Is True is the debut album by Elvis Costello.&lt;br /&gt;
&lt;br /&gt;
The album was recorded at Pathway Studios in Islington, London, over the course of 1976 during late-night studio sessions, in a total of twenty-four hours. It was the first of five straight Costello albums produced by Nick Lowe.&lt;br /&gt;
&lt;br /&gt;
The cover art features rows of tiny black and white checks (surrounding the photo of Costello) on which the phrase &quot;Elvis Is King&quot; is written. Costello's pose on the cover would become an iconic look for him, with the Buddy Holly glasses and the knees bent inwards together. He struck a similar pose in the photo on the back of the original sleeve.&lt;br /&gt;
&lt;br /&gt;
The musicians who were featured on the album were uncredited on the original release (due to contractual difficulties), although the backing band was made up of members of the band Clover, which included Huey Lewis, (although he was not present for the sessions) who went on to later fame with The News.&lt;br /&gt;
&lt;br /&gt;
In 2003, the TV network VH1 named My Aim Is True the 80th greatest album of all time. In 2003, the album was ranked number 168 on Rolling Stone magazine's list of the 500 greatest albums of all time.&lt;br /&gt;
&lt;br /&gt;
On November 8, 2007, Costello reunited with the members of Clover from the original recording sessions to perform the songs from &quot;My Aim Is True&quot; for the first time ever in public at the Great American Music Hall in San Francisco. The event was a benefit for the Richard de Lone Special Housing Fund, which assists those with Prader-Willi Syndrome.&lt;br /&gt;
&lt;br /&gt;
TRACKLIST:&lt;br /&gt;
   My Aim Is True:&lt;br /&gt;
01. Welcome To The Working Week    [0:01:23.04]&lt;br /&gt;
02. Miracle Man    [0:03:33.06]&lt;br /&gt;
03. No Dancing    [0:02:43.05]&lt;br /&gt;
04. Blame It On Cain    [0:02:53.47]&lt;br /&gt;
05. Alison    [0:03:25.52]&lt;br /&gt;
06. Sneaky Feelings    [0:02:12.30]&lt;br /&gt;
07. (The Angels Wanna Wear My) Red Shoes    [0:02:49.42]&lt;br /&gt;
08. Less Than Zero    [0:03:18.69]&lt;br /&gt;
09. Mystery Dance    [0:01:37.28]&lt;br /&gt;
10. Pay It Back    [0:02:36.38]&lt;br /&gt;
11. I'm Not Angry    [0:03:02.29]&lt;br /&gt;
12. Waiting For The End Of The World    [0:03:26.48]&lt;br /&gt;
13. Watching The Detectives    [0:03:45.43]&lt;br /&gt;
	&lt;br /&gt;
Bonus Disc:&lt;br /&gt;
01. No Action (Early Version)    [0:02:15.38]&lt;br /&gt;
02. Living In Paradise (Early Version)    [0:03:00.05]&lt;br /&gt;
03. Radio Sweetheart    [0:02:31.66]&lt;br /&gt;
04. Stranger In The House    [0:03:04.29]&lt;br /&gt;
05. I Just Don't Know What To Do With Myself (Live)    [0:02:27.50]&lt;br /&gt;
06. Less Than Zero (Dallas Version)    [0:04:19.20]&lt;br /&gt;
07. Imagination (Is A Powerful Deceiver)    [0:03:39.35]&lt;br /&gt;
08. Mystery Dance (Honky Tonk Demo)    [0:02:15.54]&lt;br /&gt;
09. Cheap Reward (Honky Tonk Demo)    [0:02:18.00]&lt;br /&gt;
10. Jump Up (Honky Tonk Demo)    [0:02:09.64]&lt;br /&gt;
11. Wave A White Flag (Honky Tonk Demo)    [0:01:59.07]&lt;br /&gt;
12. Blame It On Cain (Honky Tonk Demo)    [0:03:34.01]&lt;br /&gt;
13. Poison Moon (Honky Tonk Demo)    [0:01:53.09]&lt;br /&gt;
&lt;br /&gt;
LOG1:&lt;br /&gt;
EAC extraction logfile from 27. April 2006, 13:57 for CD&lt;br /&gt;
Elvis Costello / My Aim Is True&lt;br /&gt;
&lt;br /&gt;
Used drive  : HL-DT-STDVDRAM GSA-4163B   Adapter: 1  ID: 0&lt;br /&gt;
Read mode   : Secure with NO C2, accurate stream, disable cache&lt;br /&gt;
Combined read/write offset correction : 667&lt;br /&gt;
Overread into Lead-In and Lead-Out : No&lt;br /&gt;
&lt;br /&gt;
Used output format : C:\Documents and Settings\Javier\Mis documentos\Programas varios en Zip o Rar\eac095pb4\Ape\MAC.exe   (Monkey's Audio Lossless Encoder)&lt;br /&gt;
                     High Lossless Compression&lt;br /&gt;
&lt;br /&gt;
Other options      : &lt;br /&gt;
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    Installed external ASPI interface&lt;br /&gt;
&lt;br /&gt;
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Range status and errors&lt;br /&gt;
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     Filename G:\Elvis Costello - My Aim Is True\CDImage.wav&lt;br /&gt;
&lt;br /&gt;
     Peak level 100.0 %&lt;br /&gt;
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     CRC ACD7F27F&lt;br /&gt;
     Copy OK&lt;br /&gt;
&lt;br /&gt;
No errors occured&lt;br /&gt;
&lt;br /&gt;
End of status report&lt;br /&gt;
&lt;br /&gt;
LOG2:&lt;br /&gt;
EAC extraction logfile from 27. April 2006, 14:16 for CD&lt;br /&gt;
Elvis Costello / My Aim Is True (Bonus Disc)&lt;br /&gt;
&lt;br /&gt;
Used drive  : HL-DT-STDVDRAM GSA-4163B   Adapter: 1  ID: 0&lt;br /&gt;
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&lt;br /&gt;
     Peak level 100.0 %&lt;br /&gt;
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     CRC 58FD7746&lt;br /&gt;
     Copy OK&lt;br /&gt;
&lt;br /&gt;
No errors occured&lt;br /&gt;
&lt;br /&gt;
End of status report&lt;br /&gt;
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