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Anita Baker - Giving you the best that i got

Fri, 04 Dec 2009 19:27:29

Anita Baker - Giving you the best that i got Cover inkl. Flac

Anita Baker - Rapture (1986) [Lossless/FLAC]

Tue, 01 Dec 2009 07:14:37

Anita Baker - Rapture - 1986 - [FLAC-EAC-CUE]

Sun, 01 Nov 2009 18:11:11

Drake featuring Anita Baker - Best I Ever Had Remix

Mon, 17 Aug 2009 22:10:15

(JazzPlanet) Anita Baker - Rapture (Eac Flac Cue)(UF)

Sat, 02 May 2009 20:22:20

(JazzPlanet) Anita Baker - Rapture (Eac Flac Cue)(UF)

Sat, 02 May 2009 19:11:52

(JazzPlanet) Anita Baker - Rapture (Eac Flac Cue)(UF)

Sat, 02 May 2009 18:29:20

Anita Baker - Rapture

Title: Rapture
Format: CD
Elektra/Asylum Records, E2-60444,
Date: 1986
Genre: soul, jazz, and r&b
Extractor: EAC 0.99 prebeta 3
Read Mode: Secure with NO C2, accurate stream, disable cache.
Codec: Flac 1.2.1; Level 6
File .Flac image Track
Source: Original CD
size torrent 227 Mb
Cover included

track list
1 Sweet Love - Baker, Anita/Bias, Gary/Johnson, Louis 4:26
2 You Bring Me Joy - Lasley, David 4:24
3 Caught up in the Rapture - Glenn, Garry/Quander, Dianne 5:07
4 Been So Long - Baker, Anita 5:07
5 Mystery - Temperton, Rod 4:56
6 No One in the World - Hirsch, Ken/Sharron, Martha Vanessa 4:10
7 Same Ole Love - McLeod, Marilyn/Roberts, Darryl K. 4:05
8 Watch Your Step - Baker, Anita 4:54

listen of sample audio

http://www.amazon.com/gp/recsradio/radio/B000002H38/ref=pd_krex_listen_dp_img?ie=UTF8&refTagSuffix=dp_img

http://www.goear.com/listen.php?v=bfba8ec

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video

http://www.youtube.com/watch?v=D9it5L5XTGk&feature=related

http://www.youtube.com/watch?v=iXw9olWJ0Ak&feature=related

Personnel:

Anita Baker Vocals, Vocals (Background), Executive Producer, Main Performer

Don Myrick Saxophone
Michael J. Powell Guitar, Producer, Finger Snaps, Mixing, Remixing
Greg Moore Guitar
Donald Griffin Guitar
Dean Parks Guitar
Paul Jackson, Jr. Guitar (Rhythm)
Greg Philinganes Synthesizer Overdubs
Randy Kerber Keyboards
Vernon D. Fails Keyboards
Paul Chiten Synthesizer Overdubs
Sir Gant Keyboards
Neil Stubenhaus Bass
Fred Washington Bass
David B. Washington Bass
Freddy Washington Bass
Jimmy Haslip Bass
Arthur Marbury Drums
John \"J.R.\" Robinson Drums
Ricky Lawson Drums
Paulinho Da Costa Percussion
Lorenzo Brown Percussion
Lawrence Fratangelo Percussion
Darryl Phinnessee Vocals (Background)
Bunny Hull Vocals (Background)
Alex Brown Vocals (Background)
Lynn Davis Vocals (Background)
Jim Gilstrap Vocals (Background)
Phillip Ingram Vocals (Background)
Natalie Jackson Vocals (Background)
Vesta Williams Vocals (Background)

Biography

With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the \'80s. Gifted with a strong, supple alto, Baker was influenced not only by R&B, but jazz, gospel, and traditional pop, which gave her music a distinctly adult sophistication. Smooth and mellow, but hardly lifeless, it made her one of the most popular romantic singers of her time.

Baker was born January 26, 1958, in Toledo, OH, and raised in nearby Detroit, where she grew up listening to female jazz singers like Sarah Vaughan, Nancy Wilson, and Ella Fitzgerald. At age 12, she began singing a gospel choir, and by age 16 she was performing with several local bands. In 1975, she successfully auditioned for Chapter 8, one of Detroit\'s most popular acts at the time; the group eventually signed with Ariola and released an album in 1979, but were immediately dropped when the label was acquired by Arista (which didn\'t care for Baker\'s vocals). Chastened, Baker worked low-paying jobs in Detroit and eventually found steady work as a receptionist at a law firm. In 1982, Otis Smith -- an executive who\'d worked with Chapter 8 -- contacted Baker about recording for his new label Beverly Glen. Happy with her employment benefits and skittish over the experience with Arista, Baker was reluctant at first, but eventually flew out to the West Coast to record her debut album, The Songstress, in 1983. Though it didn\'t gain quite enough exposure to become a hit, it did help Baker build a strong fan base through word-of-mouth and she was signed by Elektra in 1985.

Working with producer Michael J. Powell (an old Chapter 8 cohort), Baker released her major-label debut Rapture in 1986. It was a platinum, Grammy winning smash, appealing to both urban and adult contemporary listeners and producing two all-time quiet storm classics in \"Caught Up in the Rapture\" and \"Sweet Love.\" Baker toured the world in 1987 and her guest appearance on the Winans track \"Ain\'t Got No Need to Worry\" won a Grammy. Her equally stylish follow-up album, Giving You the Best That I Got, appeared in 1988, spawning more staples in the title track and \"Just Because.\" \"Giving You the Best That I Got\" also won Baker two more Grammys, for Best Female R&B Vocal and Best R&B Song. For her third Elektra album, Baker decided to handle a greater share of the songwriting, hence the title Compositions, which was released in 1990 and featured even stronger jazz inflections than Baker\'s previous work (not to mention all live instruments).

Following Compositions, Baker took a break from recording and touring; after having her first son in 1993, she returned to the studio to craft Rhythm of Love, which was released in 1994. In the years that followed, Baker was mostly silent, despite her fans\' clamoring for a jazz album; instead, she raised her family and became embroiled in contract disputes with Elektra, which eventually led her to move to Atlantic. She began working on a new album in 2000, but had to start over from scratch due to defective recording equipment that made the original tracks unsalvageable. In 2004 it was announced that she had signed with Blue Note and still working on her new album. In the meantime, the Atlantic imprint Rhino released Night of Rapture: Live, a 1987 concert originally available on video. Baker finally returned to the studio in 2003 and issued My Everything, her first album in 10 years. Two years later she released her first holiday album, Christmas Fantasy

review

This is simply one of those recordings that is a must have for those who love first class, essential, Rhythm & Blues done by a gifted vocalist with a first class voice. She has that combination of range, power and knows when and how to use it.
Not to make you think that she is a jazz vocalist or that this is a jazz recording, which it is not, but the most obvious comparison I can make in richness of voice, power of delivery and inventive phrase, would be Sarah Vaughan. Trust me that is BIG company. That is a very good thing. Vocalists like that come along every few decades.
Most importantly she has the soul and heart of a true romantic. These songs just go straight to the heart of you. No vocal acrobatics at the expense of the song or the intended sentiment. When she belts it out, it is at the moment in which the intensity is necessary.
Most of these pieces are ballads and all are love songs but they are delivered with sophistication, sensuality, sincerity and power.
When I first heard this and then saw her perform this, she held me transfixed.
The poignancy of \"No One In The Word\", \"Rapture\", \"Sweet Love\", \"Mystery\" and \"You Bring Me Joy\" amidst good solid instrumentation, make these five pieces true high points and memorable R&B. The pieces have something that is often lost these days. That ability to shift to accentuate a point of mood and then back again.
There is a lithe sensuality throughout this recording that is missing from much of the so called quiet storm recordings where romance is lost for the schmaltz or sexuality.
There is a a balance. Throughout Anita delivers with as fine a voice as I\'ve heard before or since. She has a beautiful rich voice. Round tones and an impressive range. When she belts it out she does so in context and not as a means on to itself.
More people should know of this recording.
Anita Baker is one of a kind and if you get just one Anita Baker recording, get this one, you won\'t be sorry.
_____________________________________________________________________________________________________________

My friend, circumstances that do not write well in English, we uploader use program EAC to compress by original CD in lossless flac. Flac image format is the best because using the file .cue for burn a cd the same as the original.To listen the flac track I use Foobar2000 it is an free software, bat there is a plugin for winamp to listen flac file. For burn the image file .flac use freeware software called Burrrn, download it by the network link http://www.burrrn.net/?page_id=6 , install it, open the folder where there are the file .cue and .flac, open Burrrn drag and drop the file.cue in the program window, you will see all files with all the information and clicking on the button Burrrn after you burn a cd equal to the original.

enjoy

Anita Baker - 2004 - My Everything - FLAC [www.ilovetorrents.com]

Sun, 29 Mar 2009 01:12:15

(Jazz Planet) Anita Baker - Giving You The Best That I Got (Eac

Sat, 27 Dec 2008 10:14:54

(Jazz Planet) Anita Baker - Giving You The Best That I Got (Eac Flac Cue) (UF)

Sat, 27 Dec 2008 09:48:33

(Jazz Planet) Anita Baker - Giving You The Best That I Got (Eac Flac Cue) (UF)

Fri, 26 Dec 2008 11:19:05

(Jazz Planet) Anita Baker - Giving You The Best That I Got (Eac

Fri, 26 Dec 2008 10:25:48

Anita Baker Dave Koz.Frosty the Snowman.Chistmas Time.720p

Thu, 25 Dec 2008 10:30:50

Anita Baker-Christmas Fantasy-2005-RNS[www.ilovetorrents.com]

Sun, 14 Dec 2008 00:11:02

Anita Baker - Christmas Fantasy

Fri, 12 Dec 2008 22:19:24

Anita Baker - Christmas Fantasy

Fri, 12 Dec 2008 21:20:36

--------------------------------------------------------------------- Tracklisting --------------------------------------------------------------------- 1. (00:03:46) Anita Baker - Frosty's Rag (Frosty The Snowman) 2. (00:04:38) Anita Baker - Christmas Time Is Here 3. (00:05:24) Anita Baker - I'll Be Home For Christmas 4. (00:04:34) Anita Baker - Christmas Fantasy 5. (00:04:53) Anita Baker - God Rest Ye Merry, Gentlemen 6. (00:06:15) Anita Baker - Moonlight Sleighride 7. (00:05:39) Anita Baker - O Come, All Ye Faithful 8. (00:04:49) Anita Baker - Family Of Man 9. (00:05:02) Anita Baker - My Favorite Things

Anita Baker - Christmas Fantasy

Fri, 12 Dec 2008 21:19:43

Anita Baker.My Everything.

Sat, 15 Nov 2008 01:21:54

ANITA BAKER. MY EVERYTHING.2004

Anita Baker - A Night Of Rapture [Live]

Thu, 13 Nov 2008 22:17:50

Anita Baker - Rapture - 1986

Thu, 30 Oct 2008 19:21:55

The superb Rapture became the megahit that The Songstress should have been. The focus is on Baker's strong point -- romantic but gospel-influenced R&B/pop ballads and "slow jams," sometimes with jazz overtones -- and letting her be true to herself. Rapture gave Baker one moving hit after another, including "Sweet Love," "Caught up in the Rapture," "Same Ole Love," and "No One in This World." Praising Baker in a 1986 interview, veteran R&B critic Steve Ivory asserted, "To me, singers like Anita Baker and Frankie Beverly define what R&B or soul music is all about." Rapture's tremendous success made it clear that there was still a sizeable market for adult-oriented, more traditional R&B singing.

Anita Baker - My Everything - (2004)[FLAC-EAC-CUE]

Sun, 12 Oct 2008 01:46:26

Anita Baker - My Everything - (2004)[ MP3 VBR]

Wed, 08 Oct 2008 15:53:27

Anita Baker - My Everything - (2004)[ MP3 VBR] Track list Anita Baker - My Everything 01. You're My Everything 05:03 02. How Could You 04:21 03. In My Heart 05:06 04. Serious 05:25 05. How Does It Feel 04:42 06. Like You Used To 05:11 07. Close Your Eyes 04:42 08. You're My Everything Revisited 01:12 09. I Can't Sleep 05:08 10. Men In My Life 03:37 Biography With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. Gifted with a strong, supple alto, Baker was influenced not only by R&B, but jazz, gospel, and traditional pop, which gave her music a distinctly adult sophistication. Smooth and mellow, but hardly lifeless, it made her one of the most popular romantic singers of her time. Baker was born January 26, 1958, in Toledo, OH, and raised in nearby Detroit, where she grew up listening to female jazz singers like Sarah Vaughan, Nancy Wilson, and Ella Fitzgerald. At age 12, she began singing a gospel choir, and by age 16 she was performing with several local bands. In 1975, she successfully auditioned for Chapter 8, one of Detroit's most popular acts at the time; the group eventually signed with Ariola and released an album in 1979, but were immediately dropped when the label was acquired by Arista (which didn't care for Baker's vocals). Chastened, Baker worked low-paying jobs in Detroit and eventually found steady work as a receptionist at a law firm. In 1982, Otis Smith -- an executive who'd worked with Chapter 8 -- contacted Baker about recording for his new label Beverly Glen. Happy with her employment benefits and skittish over the experience with Arista, Baker was reluctant at first, but eventually flew out to the West Coast to record her debut album, The Songstress, in 1983. Though it didn't gain quite enough exposure to become a hit, it did help Baker build a strong fan base through word-of-mouth and she was signed by Elektra in 1985. Working with producer Michael J. Powell (an old Chapter 8 cohort), Baker released her major-label debut Rapture in 1986. It was a platinum, Grammy winning smash, appealing to both urban and adult contemporary listeners and producing two all-time quiet storm classics in "Caught Up in the Rapture" and "Sweet Love." Baker toured the world in 1987 and her guest appearance on the Winans track "Ain't Got No Need to Worry" won a Grammy. Her equally stylish follow-up album, Giving You the Best That I Got, appeared in 1988, spawning more staples in the title track and "Just Because." "Giving You the Best That I Got" also won Baker two more Grammys, for Best Female R&B Vocal and Best R&B Song. For her third Elektra album, Baker decided to handle a greater share of the songwriting, hence the title Compositions, which was released in 1990 and featured even stronger jazz inflections than Baker's previous work (not to mention all live instruments). Following Compositions, Baker took a break from recording and touring; after having her first son in 1993, she returned to the studio to craft Rhythm of Love, which was released in 1994. In the years that followed, Baker was mostly silent, despite her fans' clamoring for a jazz album; instead, she raised her family and became embroiled in contract disputes with Elektra, which eventually led her to move to Atlantic. She began working on a new album in 2000, but had to start over from scratch due to defective recording equipment that made the original tracks unsalvageable. In 2004 it was announced that she had signed with Blue Note and still working on her new album. In the meantime, the Atlantic imprint Rhino released Night of Rapture: Live, a 1987 concert originally available on video. Baker finally returned to the studio in 2003 and issued My Everything, her first album in 10 years. Two years later she released her first holiday album, Christmas Fantasy. Review Anita Baker's My Everything is her first studio outing in a decade. Family life seems to have claimed most of that time, as the album's last cut, "Men in My Life," seems to indicate. Baker co-wrote seven of the album's nine songs (one is a reprise of the title track), authored the aforementioned tune, and assisted producer Barry J. Eastmond in the arrangements. The disc's first single, "You're My Everything," is indicative of the album's sound: finely wrought and executed urban adult soul. Most of the set falls into this category, too, with the exception of "Like You Used to Do," a duet with Kenneth "Babyface" Edmonds that walks a line between it and new-school groove. Another cut, the stellar "I Can't Sleep," offers Baker in full-on jazz mode, careening through a skittering and swinging arrangement with a full horn section pushing the groove; it showcases Baker's ability to croon, and she comes very close to Betty Carter's scat. Some may be frustrated that, after such a long time, Baker doesn't push the envelope more stylistically. This may be true in terms of the material itself, but that's not necessarily a bad thing. Right down the line, Baker delivers on what she does best. But in one sense she has expanded her palette. On these cuts, most of the rhythm section's tracks were cut live from the floor, and on three, the vocals were as well. This gives the album a reedy immediacy that contrasts sharply with the rest of her studio catalog. This is a worthy return, qualitatively standing head and shoulders above most everything else in its class. Enjoy.

Anita Baker - My Everything - (2004)[ MP3 VBR]

Wed, 08 Oct 2008 13:28:48

Anita Baker - My Everything - (2004)[FLAC-EAC-CUE]

Tue, 07 Oct 2008 20:29:56

Anita Baker - My Everything - (2004)[FLAC-EAC-CUE]

Tue, 07 Oct 2008 13:25:15

Anita Baker - My Everything - (2004)[FLAC-EAC-CUE] Track list Anita Baker - My Everything 01. You're My Everything 05:03 02. How Could You 04:21 03. In My Heart 05:06 04. Serious 05:25 05. How Does It Feel 04:42 06. Like You Used To 05:11 07. Close Your Eyes 04:42 08. You're My Everything Revisited 01:12 09. I Can't Sleep 05:08 10. Men In My Life 03:37 Biography With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. Gifted with a strong, supple alto, Baker was influenced not only by R&B, but jazz, gospel, and traditional pop, which gave her music a distinctly adult sophistication. Smooth and mellow, but hardly lifeless, it made her one of the most popular romantic singers of her time. Baker was born January 26, 1958, in Toledo, OH, and raised in nearby Detroit, where she grew up listening to female jazz singers like Sarah Vaughan, Nancy Wilson, and Ella Fitzgerald. At age 12, she began singing a gospel choir, and by age 16 she was performing with several local bands. In 1975, she successfully auditioned for Chapter 8, one of Detroit's most popular acts at the time; the group eventually signed with Ariola and released an album in 1979, but were immediately dropped when the label was acquired by Arista (which didn't care for Baker's vocals). Chastened, Baker worked low-paying jobs in Detroit and eventually found steady work as a receptionist at a law firm. In 1982, Otis Smith -- an executive who'd worked with Chapter 8 -- contacted Baker about recording for his new label Beverly Glen. Happy with her employment benefits and skittish over the experience with Arista, Baker was reluctant at first, but eventually flew out to the West Coast to record her debut album, The Songstress, in 1983. Though it didn't gain quite enough exposure to become a hit, it did help Baker build a strong fan base through word-of-mouth and she was signed by Elektra in 1985. Working with producer Michael J. Powell (an old Chapter 8 cohort), Baker released her major-label debut Rapture in 1986. It was a platinum, Grammy winning smash, appealing to both urban and adult contemporary listeners and producing two all-time quiet storm classics in "Caught Up in the Rapture" and "Sweet Love." Baker toured the world in 1987 and her guest appearance on the Winans track "Ain't Got No Need to Worry" won a Grammy. Her equally stylish follow-up album, Giving You the Best That I Got, appeared in 1988, spawning more staples in the title track and "Just Because." "Giving You the Best That I Got" also won Baker two more Grammys, for Best Female R&B Vocal and Best R&B Song. For her third Elektra album, Baker decided to handle a greater share of the songwriting, hence the title Compositions, which was released in 1990 and featured even stronger jazz inflections than Baker's previous work (not to mention all live instruments). Following Compositions, Baker took a break from recording and touring; after having her first son in 1993, she returned to the studio to craft Rhythm of Love, which was released in 1994. In the years that followed, Baker was mostly silent, despite her fans' clamoring for a jazz album; instead, she raised her family and became embroiled in contract disputes with Elektra, which eventually led her to move to Atlantic. She began working on a new album in 2000, but had to start over from scratch due to defective recording equipment that made the original tracks unsalvageable. In 2004 it was announced that she had signed with Blue Note and still working on her new album. In the meantime, the Atlantic imprint Rhino released Night of Rapture: Live, a 1987 concert originally available on video. Baker finally returned to the studio in 2003 and issued My Everything, her first album in 10 years. Two years later she released her first holiday album, Christmas Fantasy. Review Anita Baker's My Everything is her first studio outing in a decade. Family life seems to have claimed most of that time, as the album's last cut, "Men in My Life," seems to indicate. Baker co-wrote seven of the album's nine songs (one is a reprise of the title track), authored the aforementioned tune, and assisted producer Barry J. Eastmond in the arrangements. The disc's first single, "You're My Everything," is indicative of the album's sound: finely wrought and executed urban adult soul. Most of the set falls into this category, too, with the exception of "Like You Used to Do," a duet with Kenneth "Babyface" Edmonds that walks a line between it and new-school groove. Another cut, the stellar "I Can't Sleep," offers Baker in full-on jazz mode, careening through a skittering and swinging arrangement with a full horn section pushing the groove; it showcases Baker's ability to croon, and she comes very close to Betty Carter's scat. Some may be frustrated that, after such a long time, Baker doesn't push the envelope more stylistically. This may be true in terms of the material itself, but that's not necessarily a bad thing. Right down the line, Baker delivers on what she does best. But in one sense she has expanded her palette. On these cuts, most of the rhythm section's tracks were cut live from the floor, and on three, the vocals were as well. This gives the album a reedy immediacy that contrasts sharply with the rest of her studio catalog. This is a worthy return, qualitatively standing head and shoulders above most everything else in its class.

Baker, Anita

Mon, 07 Jul 2008 02:24:15

Tracks from four Anita Baker albums.

Anita Baker - Rhythm of Love [mp3 320][h33t][schon55]

Tue, 27 May 2008 22:01:42

Anita Baker - Giving You The Best I\'ve Got [mp3 320][h33t][schon55]

Tue, 27 May 2008 21:54:30

Anita Baker - My Everything [mp3 320][h33t][schon55]

Sat, 10 May 2008 13:33:14

Anita Baker - Compositions [mp3 320][h33t][schon55]

Fri, 09 May 2008 20:31:23

Anita Baker - Rapture [mp3 320][h33t][schon55]

Fri, 09 May 2008 13:32:33

Anita Baker - The Songstress [mp3 320][h33t][schon55]

Thu, 08 May 2008 23:28:26

Colombo Jazz Anita Baker - Giving You The Best That I Got (Eac Flac Cue)

Sun, 30 Dec 2007 11:19:55

Titolo: Giving You The Best That I Got
Anno: 1988
Genere: soul, jazz, and r&b
Fonte: CDDA
Formato: Flac
Rippato con: EAC 0.99 prebeta3
Dimensione Torrent: 226 MB
Covers Incluse

1. Priceless
2. Lead Me Into Love
3. Giving You The Best That I Got
4. Good Love
5. Rules
6. Good Enough
7. Just Because
8. You Belong To Me

Personnel: Anita Baker (vocals); Paul Jackson, Jr., Michael J. Powell, Danny Lyle, Kevin Moore (guitar); Courtlen Gale (alto saxophone); Gerald Albright, Dave Boruff (tenor saxophone); Chuck Findley (trumpet); George Duke, Bobby Lyle, Sir Gant (piano); Vernon Fails, Robbie Buchanan, Peter Schwartz, Sonny Burke, Patrick Moten, David Spradley, Nell Walker (keyboards); Joseph Vitarelli, Bruce Nazarian (synclavier); Nathan East (bass); Omar Hakim (drums); Paulinho De Costa (percussion)

Anita Baker.(2004).My_Everything

Fri, 22 Jun 2007 06:25:26

Anita Baker - Rapture - 1986

Sun, 08 Apr 2007 21:27:16

128 kbps - Come visit us at www.TorrentBox.com

Anita Baker - Complete Studio Album Discography (1983-2004)

Sun, 08 Apr 2007 21:15:39

[isoHunt] Anita Baker The Complete Studio Album Discography 1983 To 2004

Wed, 28 Mar 2007 13:01:10

Anita Baker - Compositions

Sun, 18 Mar 2007 15:12:34