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The novelization of the major motion picture from Universal Pictures about Frank Lucas, drug czar of Harlem. The film stars Denzel Washington and Russell Crowe, and is directed by Ridley Scott. For decades the Mafia controlled the flow of heroin onto the streets of Harlem. Frank Lucas changed all that. Born in rural North Carolina, he came to New York and rose to power under notorious mobster Bumpy Johnson. When Bumpy died, Frank moved to take over the drug business. Caught in a squeeze play between the Mafia and the street dealers, Frank got creative. Instead of being a tool of the mob, he went straight to the source—Cambodia—and set up his own unique distribution system. Using his brothers as his lieutenants and selling “quality” heroin in trademark blue plastic bags, Frank Lucas and his “Country Boys” became the kings of One Hundred Twenty-Fifth Street. Frank had it made. He was rich, successful, and untouchable. . . . . . . until Richie Roberts came along. Roberts, the Eliot Ness of drug enforcement, became a pariah among other detectives in the NYPD when he turned in the million dollars in cash he found in the trunk of a dealer’s car. His personal life was a mess—his wife left him, and his son hardly knew him anymore—but on the job, Roberts was all business, and his business, heading up a Federal Narcotics Squad, was busting big-time dealers. His next target? Frank Lucas. This violent, action-filled chronicle of a uniquely American family.is based on Ridley Scott's film, itself based on a New York magazine profile, "The Return of Superfly" by Mark Jacobson.
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The history of organized crime in America is given a lively treatment in this video narrated by actor Dennis Farina. The focus is on Charles "Lucky" Luciano and his longtime associate Meyer Lansky, who were both tutored by legendary gambler Arnold Rothstein and went on to amass power and riches during the years of Prohibition. Ancillary characters, including Al Capone and Ben "Bugsy" Siegel, are profiled in some depth, and other outlaws of the day, such as John Dillinger and Pretty Boy Floyd, killers who gathered headlines while the real mobsters quietly consolidated their influence, are mentioned in passing. The video is consistently entertaining, though one criticism is that some of the inside knowledge it purports to relate, such as the identities of triggermen in notable New York City hits in the late 1920s, is rooted more in myth than fact. But despite the occasional excess, the narration does mostly stick to the facts as they are known, and the story of how a few uneducated teenagers from the ethnic slums of New York came to control a virtual empire of crime by the 1950s is very well told. --Robert J. McNamara
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Al Capone, George "Machine Gun" Kelly, Alvin Karpis, "Dock" Barker--these were just a few of the legendary "public enemies" for whom America's first supermax prison was created. In Alcatraz: The Gangster Years, David Ward brings their stories to life along with vivid accounts of the lives of other infamous criminals who passed through the penitentiary from 1934 to 1948. Ward, who enjoyed unprecedented access to FBI, Federal Bureau of Prisons, and Federal Parole records, conducted interviews with one hundred former Alcatraz convicts, guards, and administrators to produce this definitive history of "The Rock." Alcatraz is the only book with authoritative answers to questions that have swirled about the prison: How did prisoners cope psychologically with the harsh regime? What provoked the protests and strikes? How did security flaws lead to the sensational escape attempts? And what happened when these "habitual, incorrigible" convicts were finally released? By shining a light on the most famous prison in the world, Ward also raises timely questions about today's supermax prisons.
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